Does anyone know if this true? Also, another article stated a rumor that Microsoft will start charging a monthly or annual fee for updates, possibly on a sliding scale. Does anyone know about this? No mention of Open Office?
I've used it for years. It's legitimately free, and cross compatible with Word. Yes google docs is excellent because it's free, but it is lacking compared to word. Google docs doesn't allow online professors to read submitted papers. The problem for me is I have chosen android devices that seem incompatible with these apps. Both my aging Samsung note A new version of LibreOffice just came out, and it has improved import and export of Microsoft proprietary formats.
It runs on Linux natively plus other, inferior operating sytems. Daily caloric needs per individual are given in a reference chart. Sports include Aerobics, fitness, and aqua fitness. Personal trainer books free download. You will receive a download link with your key. A great deal not hevily advertised in most companies. Search for the HUP website and entrer your corporate email address to see if your company is a member. I've been using Office for 5 years now and buying the installed version has saved me a ton of moolah.
Why better than viewer, offline and available for Windows. Basic versions of Excel and Word included. That only leaves you to install PowerPoint viewer and you're good to go with Microsoft Office without paying! The Download Now link will download a small installer file to your desktop. Remain online and double-click the installer to proceed with the actual download.
Friday 30 July Saturday 31 July Sunday 1 August Monday 2 August Tuesday 3 August Wednesday 4 August Thursday 5 August Friday 6 August Saturday 7 August Sunday 8 August Monday 9 August Tuesday 10 August Wednesday 11 August Thursday 12 August Friday 13 August Saturday 14 August Sunday 15 August Monday 16 August Tuesday 17 August Wednesday 18 August Thursday 19 August Friday 20 August Saturday 21 August Sunday 22 August Monday 23 August Tuesday 24 August Wednesday 25 August Thursday 26 August Friday 27 August Saturday 28 August Sunday 29 August Monday 30 August Tuesday 31 August Wednesday 1 September Thursday 2 September Friday 3 September Saturday 4 September Sunday 5 September Monday 6 September Tuesday 7 September Wednesday 8 September Thursday 9 September Friday 10 September Saturday 11 September Sunday 12 September Monday 13 September Tuesday 14 September Wednesday 15 September Thursday 16 September Friday 17 September Saturday 18 September Sunday 19 September Monday 20 September Tuesday 21 September Wednesday 22 September Tis almost the season.
Gala Hispanic Theatre 14th St. NW galatheatre. Jack Guidone Theater Wisconsin Ave. NW joyofmotion. Terrace Theater kennedy-center. There are also insightful exhibitions commemorating World War I, the Trail of Tears, and the influence of Shakespeare on world politics.
Yet it is the intersection of art and culture with technology that is one predominant theme across the board. This season sees intriguing, immersive, tech-driven art installations on offer not only at expected venues, chief among them the category forerunner ArTecHouse, but also august institutions such as the Hirshhorn.
Meanwhile, another Smithsonian institution, the American History museum, showcases five technological innovations that, taken together, dramatically changed our life with and experience of art and culture. Nicholas A. Colasanto Center Mount Vernon Ave. Alexandria, Va. SW hirshhorn. Organized as part of a citywide commemoration of the 50th anniversary of Martin Luther King, Jr. NW longviewgallerydc. NW nga. NW nmaahc. After September and on weekends, the museum reverts to its original policy, with same-day, timed-entry passes available at the crack of dawn online and through a limited number of walk-up passes starting at 1 p.
The museum also features the seat Sweet Home Cafe and a menu, guided by celebrity chef Carla Hall, showcasing traditional African-American cuisine. You can also get more than your fill of weighty discussions with experts from the worlds of science, politics, and international affairs. Lincoln Theatre U St.
NW brightestyoungthings. NW blackcatdc. Dulles Expo Center Chantilly, Va. NW downtownholidaymarket. NW lisner. NW kramers. NW latidoproductions. Washington Convention Center Mt. Vernon Pl. Daniel Stone hosts a unique multicourse meal featuring foods introduced to the U. Bressan Jr. NW americanhistory.
NE solidstatebooksdc. Workforce Diversity, in conversation with Ambassador Ruth A. Her Work. Her Life. Desperate Housewife The cheeky thriller A Simple Favor twists itself into knots trying desperately to outsmart the audience.
But before the Gone Girl clone crashes into self-parody, its cast and glam noir looks generate a joie de vivre that is quite infectious. Anna Kendrick is perky to the max as down-to-earth single mom and passionate food and crafts vlogger Stephanie Smothers. Recently widowed and new to town, Stephanie is gratified to see her second-grader Miles Joshua Satine become fast friends with a boy in his class, Nicky Ian Ho. So, of course, Stephanie is thrilled to set down her cookie sheets to kick back and clink martinis with the coolest blonde in town.
Then, one day, she asks Stephanie the simple favor of picking up Nicky at school, and promptly disappears off the face of the planet. Stephanie immediately gets to sleuthing, and Kendrick is just the right actor to convey the earnest concern that propels the character to chase down every clue.
But those clues eventually lead Stephanie, and the film, down a dark tunnel of dead-end turns. Directed by Paul Feig Bridesmaids with a gleeful sense of mischief, the film, based on the novel by Darcey Bell, piles revelations upon twists upon double-crosses, but never comes up with anything truly surprising.
The plotting appears more desper-. Kendrick is chipper fun as the determined, self-deprecating Stephanie, who also occasionally lets loose a sliver of the darkness underlining her good cheer. Lively well embodies the golden, amiable alpha that the script calls for, but she does little to suggest the depths of pain and deviousness driving the enigmatic Emily. Golding, the unsteady third leg of this emotional triangle, is not at all compelling, although he certainly is swoon-worthy eye candy.
Lushly attired by costume designer Renee Ehrlich Kalfus, he and Lively look like movie stars every step of the way. Fortunately, there are delights other than just the vicarious thrills of living and continues on page His second album Bloom HHHHH exists in a world where coming out is an afterthought, and gay love in particular is free, joyful and, above all, celebrated. Sivan is a talented artist who obviously deserves recognition for more than the fact that he is a gay pop star, but he has straightforwardly and openly centred his sexuality on this record, making his queerness the focal point of the love songs on the album.
In the lyrics, the singer bluntly recalls the tension between his active pursuit and the way he was taken advantage of in retrospect. The emotion comes across as honest and they work well for what they are, but none of them are quite as affecting and visceral as the opener.
Bloom dares to imagine a world where the closet need not exist, where queer love and all its aspects can be embraced with joy and enthusiasm. With his instantly recognizable vocals, not to mention the sheer force of personality Shears brought to Scissor Sisters, his first solo record Jake Shears HHHHH was probably never going to escape comparison with his former band. The album does draw on a lot of familiar energy and camp, but with the focus now on Shears himself, he is more able to craft songs in his own image.
During his time with Scissor Sisters, Shears became a master at packaging a chaotic mix of influences into songs that were incredibly catchy, usually campy, and often overtly, unapologetically queer. Make no mistake though — this album is much more than a Scissor Sisters redux. Going solo gives Shears more room to draw on personal themes.
Self love is a recurring theme of the album, usually coming through in the form of a cocky. The proud flamboyance and camp of the album is interwoven with moments of clarity and sincerity as well. The overwhelming feeling of Jake Shears is one of picking up and moving forward. There is an unmistakable sense that he has found himself here, and the album owes much to his rediscovered sense of self. The resulting ego trip is well worth tagging along for. Alas, their co-starring heat is nowhere near potent enough to relay real desire in the lukewarm lip-lock the ladies share at one point, but desire takes a backseat here to wit.
At various stages, Stephanie, Emily, and Sean all prove to be unreliable narrators of their secrets, in a move intended to stir the perplexing plot. Struggling to supply a suspenseful mystery that can live up to the build-up of twists, A Simple Favor stumbles and falls before reaching the finish line. Woolly puts forth a vicious comedy of office politics, while Folger offers stunningly unique version of Macbeth.
By Kate Wingfield. It is his subtler suggestion that in breeding and feeding this culture of self-obsessed one-upmanship, we are far more deeply entwined in the violence erupting in our communities than we realize or would like to believe. Whether one agrees wholly with Jacobs-Jenkins or not, his delivery is, as always, clever, devious, and unrelenting, in equal measures.
If his people originally seemed harmlessly charmless, now, in the aftermath of tragedy, they reveal something deep and insidious: the me-first ethos has not just survived the unimaginable, it has been fed by it. Here, the end-result is somewhat mixed. He touches with only the broadest brush strokes the reasons for violence. It may be his eagerness to get to the psychology of the aftermath and its relation to his characters as a whole , but it feels unconvincing. With a first act that runs like clockwork with its perfectly-pitched one-liners at least until the violence , the pace of the second feels awkward by comparison.
The care-free characters from the first act have all been irrevocably changed, fair enough, but their. It may allow Jacobs-Jenkins to surface his messaging, but continuity is lost. Neither director Kip Fagan nor the actors, who brings such music to the first act, can surmount this hurdle, as committed as they may be. These issues aside, a great cast makes for plenty of entertaining and compelling moments.
Conrad Schott absolutely shines for his nuanced-to-perfection Dean even if he struggles a bit with his post-traumatic version and his brief but cleverly-drawn IT guy Devin. Also showing his chops in three very different characters is Justin Weaks, delivering some remarkable subtlety in just a few lines of dialogue. Convincing and subtly amusing is Ahmad Kamal as Lorin, the beleaguered worker down the hall. He, of everyone, does the best with the post-traumatic Lorin of the second act.
More problematic is Eunice Hong as Kendra, the most scathing of the officemates. Hong almost gets it right, but the dance between being funny and being damaging never quite works.
Still, she chews through her fast and furious patter with some stunning dexterity. As Gloria, Alyssa Wilmoth Keegan is similarly caught between playing it large enough to forward the arc versus finding authenticity. In her Nan, the pretend-nice, ruthless boss most of us have encountered in one form or another, Keegan shows her versatility in capturing this pampered woman.
Finally, credit to set designer Misha Kachman for a clever kind of intimacy between employees and audience — and respect to Fagan for the care and craft in showing the violence through these sets. As with any art that touches on topical tragedy, the questions must be: is this genuine?
Are the choices justified? Even flawed, the answers here are yes. Workshopped with scholars theatrical and musical, this production of Macbeth HHHHH is something of an exercise in historical authenticity, but with an eye to keeping it as fun and enthralling for a 21st century audience as it might have been to our 17th century cousins.
Thus, assuming their penchant for mannered, gesticulatory acting might be a bit much for two-odd hours, Richmond manages it with an interesting concept. As they begin their play-within-a-play, grand gestures abound, and, for now, such an agitated style makes sense. Riffing on the old superstition that a real murder was once committed during a staging of the play, his inmates suddenly emerge from their private hells and begin playing their roles for keeps.
If there is something a tad fuzzy about the transition, the concept is brilliant: once 21st century restraint takes hold, the new intensity is palpable. The crude draperies of the asylum do double-time to suggest tapestries,. What serves as the dingy, candle-lit dungeon of Bedlam transforms easily into the cavernous castles of a cold and wind-swept Scotland.
Working a little less convincingly are a few of the details added for color but somehow a tad out of step. Such quibbles would matter less — or perhaps makes more sense — if the dark tension inside the man at its center were fully realized.
Unfortunately, although Ian Merrill Peakes is oh so very good in delivering his Macbeth, he is never quite great in revealing his ruined soul. Put another way, if his portrayal is well-conceived and intense, it never quite compels — there is no compulsion to understand what makes this man tick, nor what makes him fail.
More importantly, Norris is powerfully convincing as the hovering, pressuring wife bursting with intelligence and urgency. One minute he is grabbing her angrily by the chin with his newfound machismo , the next he is giving her a hasty grope like a bizarre afterthought , the next he is asking after her with tenderness.
Even with these challenges, the cast delivers plenty of wonderful moments. Louis Butelli as the warden-turned-Duncan steals every scene with his fluency and sinister charisma, while Andhy Mendez offers a sympathetic and quietly compelling Banquo.
Chris Genebach is a powerhouse of energy and emotional commitment though the louder he gets, the less effective. And mention must be made of Jeff Keogh who as Seyton offers much vocal color, and Rafael Sebastian who reveals much potential in the quivering intensity he brings to his post-transformation Malcolm.
The witches Rachael Montgomery, Emily Noel, and Ethan Watermeier , given more prominent roles, bring a memorable cohesion. Call or visit folger.
Call or visit woollymammoth. Making its U. The Beatles are a unique case in the history of popular music. The sixties music scene was an era of huge transition.
With the Fab Four- helped by Bob Dylan on the other side of the Atlantic- rock music left its carefree adolescence and began adulthood. The four bubbly, naive boys from Liverpool would be transformed into independent artists, a life we follow through their discography.
Categories: All Back. Cart 0 Your cart is empty. Available in Bit Unlimited Streaming Listen to this album in high quality now on our apps Start my trial period and start listening to this album. Enjoy this album on Qobuz apps with your subscription Subscribe. Enjoy this album on Qobuz apps with your subscription Listen on Qobuz. Digital Download Purchase and download this album in a wide variety of formats depending on your needs. Your browser does not support the audio element.
Ready The Astronaut William Fitzsimmons.
0コメント